• 7 Mai 2014 - Morphème #1 - Festival Extension

    Jean-Sébastien Mariage interprètera Morphème #1, pièce de Frederick Galiay Cette composition immersive aux sonorités spectrales mêle la guitare électrique à une bande électroacoustique diffusée sur acousmonium.

Actualités précédentes : Pages 1 | 2 | 3 | 4 | 5

_____________________________________________________________________________________________________________

Chamæleo Vulgaris

Jean-Sébastien Mariage : guitare électrique
Frederick Galiay : basse électrique

Press

This kind of music smells like the future.
Richard Cochrane, musings

This is a formidable chunk of sound from the outer edges.
Robert Spencer

“European avant-garde musicians such as saxophonist Bertrand Denzler and electric guitarist Jean-Sebastien Mariage delve into the sound with some psychotic and flat out wacky electronically produced effects, odd rhythms, eerie vocalizations and surreal passages. This is “delightfully” strange music who toy with our emotions and psyche. Halloween for modernists ? Abstract, crazy – wild... you name it, yet we believe these folks are making a statement on the human condition. If you have a weak heart don’t bother ; otherwise, if you’re mind needs a good cleaning, than this may very well be the brainfood you need ! ”
Glenn Astarita

“Bam ! That uppercut hurt ! Chamaeleo Vulgaris delivers a strenght potion where avant-core meets with free jazz and sonic experimentations. It is with great pleasure that I give this record my strongest recommendation... Chamaeleo Vulgaris was nominated in the category “Best album of the year (10 nominees, the 10 best of 1999)” for the album ‘Ouverture Facile’.”
François Couture, Délire Actuel

Their music and inner sleeve artwork would seem to indicate they grew up with the Dead Kennedys and the Butthole Surfers-Gibby wouldn’t sound at all out of place in “Jungfrau”... This is pretty extreme stuff, at times sounding like Naked City’s “Absinthe”, at times like Ground Zero (on a casual listening, Jean-Sébastien Mariage’s guitar could be taken for Otomo Yoshihide)... Not for the faint-hearted.
Dan Warburton

French collective Chamaeleo Vulgaris offer a dark improvised soundscape which never settles in one place for very long. The juxtaposition of free jazz saxophone and percussion with electronics and Borbetomagus-like feedback guitar gives a music rich in detail... They illustrate just what a healthy creative state free jazz and improvised music are in as we move towards the next century.”
Fred Grand, Rubberneck

Since 1993, bassist Frederick Galiay and guitarist Jean-Sebastien Mariage have explored the uses and sounds of their electric instruments and amplifiers in an environment as immediate and natural as possible. As Chamæleo Vulgaris, the duo use minimalism and tone, feedback and resonance, to tell their tale. Recorded in Paris in 2011, live and without effects pedals and with the musicians sitting facing each other along with their amplifiers, "Reset" celebrates the duo’s intimate approach to their instruments, an improvisational interplay in which naturally generated sounds act as a third member. The audience normally would sit around the musicians, creating not only intimacy but other acoustic opportunities.
"Pūjā" opens the eleven song set with humble fanfare. Meditative, sparse and metallic, it announces the environment the duo are creating, without completely showing all their cards.
After such a seemingly passive opening, "Skhêma" announces its single note boldly, and various fitful, agitated gestures, that give the impression of cymbals but are again organic to the instruments and amps.
"Pshat," the longest track at just over thirteen minutes, paces itself through silence with deliberate tones that sound like argumentative birds or dueling wine corks. "Boo Murgel" follows. It is minimal but chaotic and assaultive, an explosion of feedback-and-string-conjured demons.
As an example of the blending of the various ideas explored, "Yoni" is an exercise in sounds, both loud and soft, sustained and muted. "Tabula Rasa" and "Drash" end the set with more silence than sound, more echo than statement, creating a somber but bright hymn-like feel.
"Reset" is not easy listening, but it ought to sound familiar. By building off of natural acoustics and sounds generated by the nearness of their instruments and amps to each other, Chamaeleo Vulgaris merely work with the natural sounds of the spaces they inhabit, however briefly. What music are you missing in your daily routine ?
Mike Wood - Music Emissions




Faire un commentaire sur cet article

Contact